sophia_sol: drawing of Combeferre, smiling and holding up a finger like he's about to explain something (Default)
sophia_sol ([personal profile] sophia_sol) wrote2017-06-17 10:59 pm

Natasha, Pierre, and the Great Comet of 1812

This evening I listened to the new Broadway Cast Recording of the musical “Natasha, Pierre, and the Great Comet of 1812”, which you may recall I was obsessed with a while ago. I’ve listened to the original recording a million times, but I’d forgotten how many songs I’d excised from the playlist of it I listen to? Basically: I remove ALL OF PIERRE. Which is actually a fairly significant amount of the musical.

And listening to this other recording of the soundtrack, I didn’t skip any of the songs because then I wouldn’t get a complete sense, and I’m ONCE AGAIN AFIRE WITH RAGE ABOUT PIERRE. Why is Pierre such a major character? Why is there so much focus on Pierre? Why is Pierre the most boring person in the entire musical? PIERRE DOES NOTHING and yet he gets entire songs all about him, and he gets the emotional focus and resolution at the end of the musical instead of Natasha (who the story’s ACTUALLY about) and it’s the WORST.

AND this new version adds A WHOLE EXTRA 6.5 MINUTE PIERRE ANGST SONG WHAT THE FUCK. Adding an extra Pierre song does not actually make Pierre feel more integrated into the musical. And it is the most boring song. Why does it exist. Why does Pierre exist.

UGH. I love this musical so much in so many ways EXCEPT PIERRE’S EVERYTHING.

At any rate I guess it’s back to my carefully-excised original cast recording for me!

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