A Fan's Playground

Today I listened to the audiobook of The Empress of Salt and Fortune, rereading the book for the first time since I read it four years ago. It continues to be a very good book, and it's one that's very well suited to listening to as an audiobook, given the nature of the story it is telling.

But. This is not a review that's intended to convince other people to read the book. (Though you should! it's great!) Rather, I have a burning need to talk about spoilers, with people who have already read the book too and have opinions on some stuff.

Click here for the spoilers

Ok so. There's clearly SOMETHING going on with the identity of Rabbit vs In-yo, right. But I'm not clear on what???? Are Rabbit and In-yo one and the same person? Did Rabbit and In-yo swap places and swap identities, and if so, at what point in their lives? If there are hints that I'm missing here I would LOVE to hear more!

Ok one other note on the book, while I'm here and talking about it, actually.

right I suppose this is spoilers also

I really appreciate that it's a story about monarchy/royalty/empire that makes the ruler compelling in a way that gets you on her side while also being unflinchingly real about the death and destruction that inevitably comes from such a ruler and such a person. Impressive! I love it.

But really I want answers to the questions in my first spoiler cut!!

I decided to read Dungeon Meshi because I kept seeing people on tumblr posting about the new anime adaptation, and it looked fun and cute. And although I don't watch much tv, there was an entire manga I could read instead! So I did.

The basic premise: in a world where adventuring parties going on dungeon crawls is a thing that happens, one guy has a dream: to be able to cook and eat all the different kinds of monsters in the dungeon, to be able to find out how they taste!

And because his party needs to be able to head deep into the dungeon to rescue a party member who was left behind, and they don't have the funds or the time to collect supplies, all of a sudden they have REASON to need to eat monsters. They're going to forage and hunt for all their meals as they make their way down.

So using that as the basis, the manga goes on to explore the worldbuilding, the interrelationships of the characters in the party, everyone's backstories and reasons for being there, a developing plot, and of course, the ingredients and nutritional composition and flavour of every meal they eat.

I absolutely adored every bit of this!!! The main characters are all a delight, and it's the kind of story where the author sees and shows you the inherent personness of all characters, including antagonists. And the world created to make sense of the dungeon's existence is fascinating, as are all the ways the ecosystems within the dungeon are expanded upon to make sense of the creatures living within it.

And it's a story that knows what its themes are, too, and is able to tie them all together in extremely satisfying ways in the climax of the narrative!

I had this moment leading up towards the ending where I was like:

cut for thematic spoilers I guess

ohhhh it's about....everyone being part of a balanced ecosystem of life and death where everything sustains everything else! the various human species included! and I was filled through my very soul with this feeling of connectedness myself.

Anyway it was amazing and I had a lot of feels.

And as well as enjoying all of that, I also just really loved our main characters! We start out seeing them all fairly shallowly but over the course of the story as more aspects of them are revealed they're all just.....I love every one of them.

I did struggle with a few aspects of the manga, but none of it significantly affected my ability to enjoy the read:

1. It kept adding more and more characters, and I got rather lost occasionally trying to keep track of them all. But ultimately it's not vital to remember every tertiary character to get a good read out of this, so it's not as bad as it could be.

2. In the mid to later parts, it became a lot more plot focused and actiony than I'd really been expecting, in a way that made it harder for me to follow, since fight scenes in sequential art are challenging for me. And occasionally it drew back more than I wanted from its focus on food. But it refocused eventually!

3. It turned out to be pro monarchy in the end, which isn't my fave, but it's not like a major theme of the manga or anything so I could overlook it.

4. I kept expecting it to have at least a little bit of textual queerness, and there wasn't any as far as I could see! Even various background relationships or depictions of people's attraction was m/f. But uh. Falin/Marcille, anyone? There are some powerful vibes there. (I'll also accept Laios/Kabru)

In conclusion, I highly recommend it, and if you want to read it, you can read the whole thing online for free in English translation here: https://dungeonmeshi.com/manga/dungeon-meshi-chapter-1/

This is a science fiction novel from the 1960's, featuring a cast of odd characters wandering their way through interactions with each other In Space. It's mildly sexist in that 1960's way, it's hard to keep track of all the characters, and honestly I'm still not sure what the plot was -- but I still mostly enjoyed the process of reading the book.

I just really enjoyed the writing style! I wish I could articulate what it's doing that I like so much. The prose is pretty pared-down yet expressive, and it does things via odd juxtapositions of ideas and events. It's fun and engaging and it made me want to pick it apart to figure out just what it was doing!

So like....I don't think I particularly enjoyed this book as a book, but I'm still going to hang on to my cheap second-hand copy and maybe refer back to it in the future.

Any book by Ursula Vernon (the author behind the Kingfisher penname) will have certain features, and those inherent features are ones that keep me coming back book after book to everything she writes. I love how she does worldbuilding, and I love her practical get-things-done heroines, and I love how everything's always grounded in the odd specific annoyances of what it would actually be like to be in the fantastical circumstances she writes about. And she does SUCH good road trips! So many opportunities to run into fun NPCs and cool regional worldbuilding!

I'm not quite the right audience for her paladin romances, unfortunately -- I think because I just get too irritated by the depth and breadth of their ability to feel guilty about absolutely everything. But I keep reading them because I'm having fun with everything else anyway, and because the wider arc of the business with the dead god fascinates me, and we get a bit more about it every book!

This book, though, feels to me a little less successful than the previous paladin romances in the series. It feels a bit too much to me like several different books squished into one, I think, instead of like multiple strands of the same book, and I just don't love all of those books.

click here for spoilery thoughts

There's the one where Marguerite is trying to get herself free of the Red Sail by finding the missing artificer and leaking the plans for the salt-making mechanism and thereby destabilizing the economy of the whole region, and there's the one with the Dreaming God's paladins and the Saint of Steel's soul-scarred ex-paladins dealing with the demon who wants to be a god, and there's the one about the romance between Marguerite and Shane.

The first one is a perfectly good spy plot, not really my go-to genre of book but fun enough, and I do enjoy the temple of the white rat being willing to meddle in these things.

The second one is FASCINATING to me and I want to think about the implications forever and I want more details!!!

The third one is....yet another guilt-ridden paladin romance.........also featuring a spy who doesn't trust anyone but just KNOWS in her HEART that she can trust HIM and he's the exception to everything about how she's conducted her life. It's just really really not my kind of romance story. Also both of them are extremely allosexual and are continually having their higher brain functions disabled by how attractive the other person is and it just seems comically over-the-top to me, an ace person who Doesn't Get It. (okay I AM charmed by the type of kinky not-quite-bondage that Shane turns out to be really into when Marguerite is like, ok I gotta find SOME way of achieving good sex with this guy who can't get out of his own head about anything.)

I'm sure the romance part of the book is good for some people! but that's um. not what I read Kingfisher romances for, surprise surprise.

So let's go back to the demon who wants to be a god, shall we? I was FASCINATED by Wisdom and by what demons are. And by the implications of what a god is, too, tbh.

Wisdom seems to genuinely care about its followers to some degree, has figured out how to live as a part of the world, has thoughts and feelings and motivations and relationships and goals. It's definitely been doing some worrying stuff, but is it any more evil than a really powerful human can be? What ARE demons, and what makes them appreciably different from gods, in the end, in this world? They clearly CAN have comparable types of bonds with humans if they so choose, and some gods are definitely terrible if I'm remembering stuff from previous books, so why couldn't demons have the possibility of being basically okay.

And what is Hell? It's the place where demons are from, and it's the place where paladins can bind a demon to never be able to leave (if they're powerful enough to manage the binding), and from what little we hear from Wisdom about it, it seems like an undesirable place to be. Wouldn't most folks kind of suck in some respect if their entire prior existence was in a place like Hell?

I really hope this series is going in a direction of non-evil demons tbh! maybe even....some of the major gods today having previously been demons? Maybe the saint of steel was a demon and someone murdered him because of that!

anyway my increasing pro let-demons-be-people agenda means I feel weird at the end of this book about Shane taking up with the Dreaming God in the end, the god who is well known to be virulently anti-demon. Is this god unambiguously a good guy and nothing else?

I'll be very curious to see where this whole plot continues!

This is the latest T Kingfisher dark fairy tale retelling, and like, if you've read these by her before then you know the kind of thing you're getting into. And I have, and I do, and as always I am here for it.

I don't have a great deal to say about this one, but in this particular case the T Kingfisher trademarked "practical heroine who does the hard thing that needs to be done" is also a bit of a wet blanket. I love her.

Also,

click here for some spoilers

I love that in the end Toadling doesn't actually have to decide between exploring her connection with Halim and returning to the love and acceptance of her greenteeth monster family, because she's going to outlive him by centuries, so she can go hang out with him while he's alive and then go home again after.

Another of Ursula Vernon's fairy tale books under the pen name T Kingfisher, though this one is not inspired by a specific fairy tale, and is more a novel told in a fairy-tale-ish mode.

And it's very good at being a dark fairy tale, with the sense of the power of magic underlying everything, and the deadly sort of fairness/unfairness of the world. I loved it.

Vernon's prototypical protagonist type is a person who meets a horrible situation and responds with: "well, there's a thing that needs doing and I don't want to do it, but nobody else is going to, so I guess I'm going to figure it out." And this protagonist type is extremely soothing to me. I will read these characters of Vernon's endlessly.

I will say that I don't think that the merging of the two timelines of the story is done as smoothly as I'd like. The book opens in medias res in a dramatic episode, and then we go back in time to where the story starts, jumping back and forth between the two timelines until the backstory catches up with where the story began. The jumping back and forth part worked fine, and the linear narrative afterward worked fine, but the joining between the two was honestly pretty confusingly handled to me and I had to work at it to follow what had just happened with the timeline!

But that is absolutely my only complaint about the book and everything else is just SO great. It's the story of a princess named Marra who's pleased to be relegated to live in a nunnery because she's just not good at the whole politics thing and finds fibre arts much more interesting, but when the knowledge of something truly horrible occurring is thrust upon her, she goes on a quest to get the thing dealt with. On the way she collects various allies and travelling partners, every single one of whom I adore as well.

( cut for spoilers )

I first heard of this book via a rec from sineala, and I'm so glad, because ahhh I loved this book so much! It just really hit the spot perfectly, of feeling like a classic secondary-world fantasy of my childhood while also being well written and interesting and queer. So much of the sff I read these days is either historical fantasy or futuristic sci-fi, and though both are delicious, I'd forgotten how good it can be to sink your teeth into a nice well-built secondary world fantasy and immerse yourself in that created world.

And it's a book published in the 90's that's textually queer! This aspect isn't forefronted, but it's subtly-yet-clearly woven into the worldbuilding throughout the whole book, in a way that's probably possible for an oblivious het to not even notice, but is blatant to anyone else.

The worldbuilding in general though is all really good. It's doing things that are interesting and specific and well integrated, and clear about what it's doing without ever feeling infodumpy. And I love how the city where most of the story takes place feels lived in and full of real people living their various intersecting lives, and with enough references to other cultures (and the tensions of living in a multicultural city with Histories between the various cultures) that the city feels like part of a larger world too. And there are enough references to things that have changed or happened in the past, including the recent past, that it doesn't feel stagnant; it's a living city, a living world.

Anyway the actual plot/characters. Rathe is a pointsman (....sort of a policeman, but with enough specificity about their place in the culture that it doesn't feel to me at least like it carries with it all the burden of associations a modern reader brings to police) and Eslingen is a mercenary soldier temporarily between jobs; together, they fight crime! That is, the city has recently had a more than usual rash of children disappearing, ones who seem very unlikely to have simply run away from home, and no bodies have been found, so what could have happened to them?

The mystery doesn't have Shocking! Twists! but unfolds well and interestingly, and

spoilers

I was pleased that in the end all of the children were recovered safely.

Anyway it looks like there are 4 more books in the series, and I want to read all of them! Though my library only has 1 other, so we'll see how far I get.

I just reread Piranesi, and you know how when a book is so close to perfect and yet falls short in a few specific ways, it can feel more disappointing than a book that didn't get so close? Yeah, that.

There's so much about this book that's truly glorious, that I absolutely adore. Things that it's doing that are really special and unusual and incredible. But. For a book published in 2020 to unquestioningly reproduce a) the evil gay trope and b) the heroic police officer trope, with no indication there was ANY thought put into complicating either those ideas.....it's disappointing. Look, I'd absolutely be okay keeping Arne-Sayles gay; it's relevant to him as a representative of outsider thinking, especially during the era he was academically active. But there needs to be other non-evil, non-predatory queer characters as well to balance him out! In fact, let's just make 16 a non-cop lesbian, and maybe make Matthew Rose Sorensen gay as well, and the book would be fixed.

It's especially disappointing from an author like Clarke, who in Jonathan Strange & Mr Norrell created a book where the persistent theme throughout is that people with social and political power abuse it, and that the outsiders and people from oppressed people groups are worth listening to. But of course, as was pointed out to me, just because people are interested in those themes doesn't mean they're capable of recognizing all of who has power and who's oppressed.

On my first read of Piranesi I was so transported by the good things the book is doing that I didn't think much about these issues except to note that they were present. But now on reread, they sting a little more. SIGH. I want this book to be perfect, dangit!!!!

EDIT: can't believe I forgot to mention: Piranesi must have had a background as a birder! he confidently identifies herring gulls instead of being like "um, they're seagulls of some kind"

I've tried to read this book once before, and found myself just never coming back to it when I was only partway in, because I just wasn't drawn to it enough. But I finally was like NO let's DO this because I'd heard some interesting things about it!

And I do find the gender stuff about this worldbuilding interesting! But honestly that was about it. This book is a short novella, and it is structured as like...peeks into the life of the main character over the course of decades, and although that could be an interesting structure, I never felt like we went in deep enough at any of the peeks for me to care about the characters or the plot. It was fine? It was readable. I was just kind of bored.

The third novella in the Singing Hills cycle! I absolutely adored the first two, so I was extremely excited for this one. It's a series that is about storytelling, and about the ways in which the teller affects what the story is and what details you get, and I looooooove this.

But having read this latest book, I feel sincerely like I'm missing something. I feel fairly confident the book is doing something that connects the various stories told within the narrative to each other, and I think also with the character Lao Bingyi in particular, in order to say things about the series theme. But I have no idea what! I ended the book feeling a bit obtuse. PLEASE explain it to me if you've read this book!!!!

Anyway without whatever it is that pulls the disparate parts together, the book felt very episodic to me. Lots of lovely details and I enjoyed it on the surface level of "Chih goes on a road trip and hears some nice stories and nearly dies a few times" but on that level it doesn't seem to fit with the other books in the series. It was nice though to get to see more of who Chih is as a person, though! You get to see more of that in this book than the previous ones.

But really. Please explain what I'm missing here! Was I just too sleep deprived when reading it to put some obvious hints together??