soph (
sophia_sol) wrote2023-08-09 12:40 pm
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The Grandmaster of Demonic Cultivation (aka Mo Dao Zu Shi), by Mo Xiang Tong Xiu
When I watched The Untamed (hereafter CQL) in 2021, my immediate thought upon finishing was that I HAD to read the book (hereafter MDZS) that it was based on. Now, more than two years later, I have finally done that.
And it's so good you guys!
And also, really very different from CQL.
I knew that already, because on top of the way that inevitably at least some things get changed in any adaptation process, I understand that the complex system of chinese censorship has standards for a wide variety of different things not being allowed to be shown on tv. And several of those things are integral to the version of the story in MDZS.
Being now familiar with the versions of the story told in both tv and book, I think the difference that's the biggest is the moral universe being presented by the themes of each story. CQL is the story of a person who always tries his best to do what's right, and is treated poorly by society because of it, but eventually is able to triumph. MDZS is the story of a person who makes some huge mistakes and then has to (gets to?) learn how to live with them.
Both are wonderful stories worth telling! And they have a lot in common. But they are not, in the end, the same story. Going forward I will definitely be paying more attention to which version is being tagged as the fandom when I open fic!
I do feel like I'm not quite up to writing a coherent review of the book right now though. I read the first two-thirds or so back in April, and then accidentally took a multi-month break from reading it, and then read through the remainder over the course of the last few weeks. So the beginning portions of the book are fuzzy in my head and easy to confuse with everything else I have read about CQL/MDZS and the fanfic of both, and it's hard to hold the shape of the entire narrative in my head.
But I do have a few more notes! Most of which are varyingly spoilery for either or both of CQL & MDZS
One is how the Jin Guangyao storyline in MDZS more closely adheres to the theme of "making choices, experiencing consequences" imo. In CQL, JGY is kicked out from the Nie sect because of killing the supervisor who treated him poorly, but in the book he leaves the Nie on good terms, and the incidents which make Nie Mingjue distrust and dislike him happen after he's already gone. JGY really could have just stuck around the Nie sect comfortably and with respect if he chose! But he wanted the things he could get from seeking his dad's approval even more. It's about what you decide to prioritize and go after.
I enjoy how MDZS goes more back and forth with the timelines, and you can see current Wei Wuxian having opinions about the past. And I love how WWX just sees his past self as super cringe, rather than like condemning himself or anything!
There are several really excellent female characters in MDZS, but they do not get a lot of page time, so I appreciate CQL's efforts to increase the presence and narrative relevance of the female characters.
The way everyone just calls the Wens Wen-dogs as a standard term is so uncomfortable to me. Dehumanizing your enemy is a classic strategy in war, for understandable reasons, and it does definitely serve to remind me regularly just how much all the main characters are in a war mindset! Which is why it's so uncomfortable lol. But that's like. a good thing. Nobody in this story is morally pure!
Speaking of not morally pure, I was fascinated to see that the distinction CQL makes between the Dafan Wen as pacifist doctors and the Qishan Wen as supporting Wen Ruohan is straight up not present in MDZS. Wens are Wens, and Wen Qing and Wen Ning are important close members of Wen Ruohan's family, and the Wen remnants include cultivators. I appreciate this too! You cannot separate people into "these ones are evil and deserve to die" and "these ones are completely blameless and have never done anything wrong ever." Love to reject a binary.
But then as well, when Wei Wuxian rescues Wen Ning and the others from the work camp, as far as I can tell from what the narrative tells us, he doesn't actually take all the prisoners, only those who are connected with Wen Ning and Wen Qing in some way - which makes it come across less as "I am taking a moral stand about the treatment of prisoners" and more "I owe a debt to the Wen siblings and must repay it."
I also appreciated the bit of context about what work specifically the Wens were being made to do at Qionqi path - remove aggrandizing stonework depictions of Wen accomplishments to replace it with similar ones but for the Jin. It's clear it's meant as, like, something humiliating for the Wens to have to do.
Lan Wangji is described in both MDZS and CQL in the post-sunshot era as someone who "goes where the chaos is" and I had always understood that previously to mean that he seeks out the biggest chaos. But MDZS makes it clear that what it means by the term is that he's willing to go deal with any situation that needs addressing even if it's small-scale and would be considered beneath him and won't enhance his reputation in the high echelons of cultivator society he was raised in. Love this for him. I wonder if this is what CQL also meant, and I just failed to read it correctly?
And then of course there are things like the absence of a second flautist, which I did already know about from fandom discussions, which is kind of emblematic of the difference between the two narratives.
(oh also. This is very personally motivated but I'm grateful CQL was not able to include more depiction of cannibalism and reanimated corpses because that would be a LOT for me to watch in the more visceral medium of television! and there are so many corpses in MDZS! I think it's very good and appropriate in the book, and I'm glad it stayed in the book.)
idk I feel like I'm spending most of this review talking about MDZS only as relates to CQL which feels a bit unfair to MDZS as the originator, like I'm not respecting it as its own thing! But it's hard for me to talk about it in any other way after having spent the last two years so much in the fandom. If I'd come to MDZS before I ever knew anything about CQL this would be reading very differently!
At some point I do want to do a closer reading of MDZS to appreciate it better for what it specifically is doing, like the way I'm currently doing a TGCF close read on mastodon. There's so much fruitful stuff to pay attention to in any work by MXTX.
Anyway please rec me fic that is particularly good at being based in MDZS canon! I want to spend more time exploring it!
And it's so good you guys!
And also, really very different from CQL.
I knew that already, because on top of the way that inevitably at least some things get changed in any adaptation process, I understand that the complex system of chinese censorship has standards for a wide variety of different things not being allowed to be shown on tv. And several of those things are integral to the version of the story in MDZS.
Being now familiar with the versions of the story told in both tv and book, I think the difference that's the biggest is the moral universe being presented by the themes of each story. CQL is the story of a person who always tries his best to do what's right, and is treated poorly by society because of it, but eventually is able to triumph. MDZS is the story of a person who makes some huge mistakes and then has to (gets to?) learn how to live with them.
Both are wonderful stories worth telling! And they have a lot in common. But they are not, in the end, the same story. Going forward I will definitely be paying more attention to which version is being tagged as the fandom when I open fic!
I do feel like I'm not quite up to writing a coherent review of the book right now though. I read the first two-thirds or so back in April, and then accidentally took a multi-month break from reading it, and then read through the remainder over the course of the last few weeks. So the beginning portions of the book are fuzzy in my head and easy to confuse with everything else I have read about CQL/MDZS and the fanfic of both, and it's hard to hold the shape of the entire narrative in my head.
But I do have a few more notes! Most of which are varyingly spoilery for either or both of CQL & MDZS
One is how the Jin Guangyao storyline in MDZS more closely adheres to the theme of "making choices, experiencing consequences" imo. In CQL, JGY is kicked out from the Nie sect because of killing the supervisor who treated him poorly, but in the book he leaves the Nie on good terms, and the incidents which make Nie Mingjue distrust and dislike him happen after he's already gone. JGY really could have just stuck around the Nie sect comfortably and with respect if he chose! But he wanted the things he could get from seeking his dad's approval even more. It's about what you decide to prioritize and go after.
I enjoy how MDZS goes more back and forth with the timelines, and you can see current Wei Wuxian having opinions about the past. And I love how WWX just sees his past self as super cringe, rather than like condemning himself or anything!
There are several really excellent female characters in MDZS, but they do not get a lot of page time, so I appreciate CQL's efforts to increase the presence and narrative relevance of the female characters.
The way everyone just calls the Wens Wen-dogs as a standard term is so uncomfortable to me. Dehumanizing your enemy is a classic strategy in war, for understandable reasons, and it does definitely serve to remind me regularly just how much all the main characters are in a war mindset! Which is why it's so uncomfortable lol. But that's like. a good thing. Nobody in this story is morally pure!
Speaking of not morally pure, I was fascinated to see that the distinction CQL makes between the Dafan Wen as pacifist doctors and the Qishan Wen as supporting Wen Ruohan is straight up not present in MDZS. Wens are Wens, and Wen Qing and Wen Ning are important close members of Wen Ruohan's family, and the Wen remnants include cultivators. I appreciate this too! You cannot separate people into "these ones are evil and deserve to die" and "these ones are completely blameless and have never done anything wrong ever." Love to reject a binary.
But then as well, when Wei Wuxian rescues Wen Ning and the others from the work camp, as far as I can tell from what the narrative tells us, he doesn't actually take all the prisoners, only those who are connected with Wen Ning and Wen Qing in some way - which makes it come across less as "I am taking a moral stand about the treatment of prisoners" and more "I owe a debt to the Wen siblings and must repay it."
I also appreciated the bit of context about what work specifically the Wens were being made to do at Qionqi path - remove aggrandizing stonework depictions of Wen accomplishments to replace it with similar ones but for the Jin. It's clear it's meant as, like, something humiliating for the Wens to have to do.
Lan Wangji is described in both MDZS and CQL in the post-sunshot era as someone who "goes where the chaos is" and I had always understood that previously to mean that he seeks out the biggest chaos. But MDZS makes it clear that what it means by the term is that he's willing to go deal with any situation that needs addressing even if it's small-scale and would be considered beneath him and won't enhance his reputation in the high echelons of cultivator society he was raised in. Love this for him. I wonder if this is what CQL also meant, and I just failed to read it correctly?
And then of course there are things like the absence of a second flautist, which I did already know about from fandom discussions, which is kind of emblematic of the difference between the two narratives.
(oh also. This is very personally motivated but I'm grateful CQL was not able to include more depiction of cannibalism and reanimated corpses because that would be a LOT for me to watch in the more visceral medium of television! and there are so many corpses in MDZS! I think it's very good and appropriate in the book, and I'm glad it stayed in the book.)
idk I feel like I'm spending most of this review talking about MDZS only as relates to CQL which feels a bit unfair to MDZS as the originator, like I'm not respecting it as its own thing! But it's hard for me to talk about it in any other way after having spent the last two years so much in the fandom. If I'd come to MDZS before I ever knew anything about CQL this would be reading very differently!
At some point I do want to do a closer reading of MDZS to appreciate it better for what it specifically is doing, like the way I'm currently doing a TGCF close read on mastodon. There's so much fruitful stuff to pay attention to in any work by MXTX.
Anyway please rec me fic that is particularly good at being based in MDZS canon! I want to spend more time exploring it!
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My characters wear CQL faces but it was the novel that made me fall in love and write fic even though I think I'm closer to CQL characterization-wise.
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I think it's pretty common to write with some kind of combination of things picked up from both MDZS and CQL. And their faces in CQL are SO GOOD.
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One thing I really like about the book is how there's just a bunch of tiny little sects all over the place, it feels a lot more inhabited, and allows for more background characters to just float about.
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yes I LOVE how many other sects there are in the book, it really makes the place feel more interestingly crowded with a wide variety of people doing their own things
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I was reminded recently by a gifset on tumblr that there's a point in cql where Wen Qing references that her family has been doctors for generations, and I wouldn't be surprised if that's part of where fandom has taken the idea of them being a separate subgroup of the wen from
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I come to it from the scenario of not having read MDZS, having watched the beginning of CQL but never getting very far (which is for the best, it prevented me from ragequitting at "the good guys target shooting involving prisoners of war"), but having been in this fandom since before CQL, and I see that shift in the fics themselves. WWX was always going to be woobiefied by some, but having the show come down so hard on He Did Nothing Wrong really influenced a lot of fics. And meanwhile bookcanon fics are more willing to see that, yeah, he did.
Speaking of which, I found out about the second flautist thing from a fic note saying there is no second flautist in this fic. And I was all "....?????" WWX is a mass murderer in one canon but not, I guess, in the other.
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I can't remember where I first found out about the second flautist/no second flautist thing tbh! actually it might have been via tumblr meta dissecting the whole thing. but at this point who knows.
seeing the changes via the trickle-down effect in the fics must have been so interesting! I kind of wish I'd been there to see it happen myself! I love learning about canons via fanfic. but woobification of wwx was already baked in when I got here.
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Yep! That's one of the enraging changes that CQL made. It's just so cartoonishly evil on the JGY side, and makes all the good guys look bad.
Plus my impression is that the show actually committed to the idea that NHS was the chessmaster behind it all. Whereas with MDZS, or at least with the fic side of things, the whole "NHS is the chessmaster who arranged it all" was a fan theory. There were definitely folks who didn't think there was a mastermind, that stuff just happened.
Oh also one BIG change post-CQL is the Yi City arc stuff got meshed in with the rest of it in fic. I never cared much about the Yi City folks and would just avoid stuff that had it in there, but there was definitely a separation. There's much less of one post CQL, what with the de-aging of all of those participants.
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I skipped over much of the Yi city content in both the book and the show because I struggle with aspects of that storyline, so that part of the changes means a lot less to me personally, but that's understandable that that would be a major change for a lot of people!
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The envy of the world by vulnerable_bead
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I tend to be frustrated by fics whose thesis is clearly "WWX is entirely blameless and totally victimized" (especially in modern AUs, for some reason), and it's interesting to consider whether they're based in excess fondness for WWX or specifically in CQL characterization.
the theme of "making choices, experiencing consequences"
this is really neat and I would love to see a fic rec list, for instance, specifically focused on this.
(Also I can never take the "second flautist" discussions seriously because in my context the second flautist is the one who sits to the right of the first flautist, plays the same thing a third lower, and doesn't get any of the solos ;) )
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this is really neat and I would love to see a fic rec list, for instance, specifically focused on this.
ooh that's a great rec list idea, and also, I have no idea how I'd begin putting together a rec list like that because it's not a theme that I tend to indicate in my bookmarks so I'd have to put a lot more effort into finding relevant fics!
the second flautist is the one who sits to the right of the first flautist
hahahaha I love this! When I was a band kid in high school we would refer to that position as first/second flute, rather than flautist, so I didn't make the connection!
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BUT! I love reading your thoughts and I am really happy for you that you love both in different ways!
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I do wish the creators of CQL had more space to only make the changes they wanted to make, rather than being constrained by censorship, but they still did a magnificent job of telling a good and coherent and interesting story