Jul. 12th, 2023

sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
I mad the fatal mistake of not writing down my initial impressions immediately upon finishing the book, so this review must rely on my inconsistent memory. Can I remember the things that struck me that are worth talking about?! Tune in to the rest of this post to find out.

To Shape a Dragon's Breath is a wonderful alternate-earth historical fantasy novel, with a main character from a culture based on post-colonial Indigenous people in North America. In this context of trying to maintain their way of life despite the devastations of disease and colonial rule, Anequs is a teen who finds a dragon egg and bonds with the new-hatched dragon. By the rules of the colonial government, all dragoneers must attend an academy to learn how to safely control their dragon's powers, so Anequs must leave her home and immerse herself in a culture and a schooling system that were not designed for her.

The author does a wonderful job of showing the many different ways indigenous people respond to the impossible situation they're put in, post-colonization, with no good answers; and the many different big and small manifestations of racism that they face, by people both well-meaning and malicious. Anequs finds both friends and allies, but even within these people she is often having to deal with their own internalized racism.

And I loved the worldbuilding! Although different language and symbols are used, because latin is not the language of science and education in this world, it is clear that the power of a dragon's breath is to break down anything into its constituent elements and rebuild them according to the direction of their person or people. So Anequs in learning vitskraft is basically learning chemistry, and the symbology that can be used to safely direct the power of a dragon's breath to create only the things you want.

And it's fun, too, to see a version of the world where a viking style culture is the one that is dominant in the colonial era instead of british culture, and the ways in which it does and doesn't change things.

(I do think that if one were to carefully draw out all cultural ramifications there would be even more differences between that world and our own history -- eg the clothing would NOT be our world's 19th century western fashion! -- but I do understand that that might be too big a project to undertake, to make every single thing make sense within the internal logic while still making it recognizably 19th century to the reader.)

Anyway I found it a thoroughly enjoyable book with a satisfying ending, but also it's clear from the book that there's more coming in the series and I only wish I could read the rest IMMEDIATELY. But that is not how linear time and recently-published books work!

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