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A children's book from the 90's, this book holds up surprisingly well! It's historical fiction set in the 13th century about two young folks who go on pilgrimage from their village in England to Santiago in Spain.

The style of the book is a little too abrupt for me, switching between short little vignette scenes constantly, and often with different POV's. But it's a really good and solid depiction of the experience of medieval pilgrimage and medieval life, and of the main characters' growth and change on the way. It even manages to include an interlude with a sympathetic muslim character.
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These two books are easy-reader chapter books, very short with big print and simpler sentences. But they manage to do a fair amount in the space they have. They're historical fiction, set in the American west in the late 19th century, featuring a family where the mother died in childbirth and the father then gets a mail-order bride from out east.

Told from the perspective of one of the children in the family, these books are dealing with some pretty big themes, in an accessible way. I think they're really good at specifically being children's books, tbh, which not all kids books are. Sometimes kids books are written to what adults think kids want, and sometimes kids books are written to the taste of the adults buying the books for kids, instead of being really being for kids.

But I remember when I was a small child myself I loved these books. Rereading them as an adult, they're pretty spare and a little boring. But when I was young I found them to be full of emotion and a sense of place. I found them deeply satisfying.

Apparently these are just the first two of a five-book series, but the remaining three were published after I was out of the right age bracket for these books, and so I never read them. Too bad, because I bet I would have loved them if they'd existed when I was young enough, and would find them a bit boring if I were to seek them out now!
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Feng Menglong published Stories Old and New in the 17th century in China; it's a collection of stories which were traditionally told by popular story-tellers. Cyril Birch then chose six stories from that collection that he saw as "representative" and translated them and presented them in this book which I read.

It makes for a very interesting read, to be sure, but I am curious about how actually representative Birch's selections are or aren't. And also I have concerns about what biases Birch's translation has introduced! There's one place where his endnote makes it clear he has bowdlerized something: "I have however preferred to follow the 1947 reprint of the original in omitting a few phrases, which add nothing but might be found offensive." He also in one story translates the name of a type of bird local to China as a "canary" because it'll be more familiar to the presumed reader. Which means I do not exactly trust him as a translator to be presenting me with stories that are a close reflection of the original. Even though he noted these two egregious changes in his endnotes, what other more insidious changes might he have made without thinking it worth mentioning?

At any rate I did enjoy reading the collection. I appreciate that these are traditional stories collected and retold by a person from the same culture as the stories themselves; so many folk stories now available to read were collected by 19th century upper-class European men to "save" the oral traditions that their own colonialism was in the process of wiping out, which is sure a thing. China has its own traditions and its own history of publishing and scholarship though, and the stories in this book come out of that instead! Even if my monolingual self had to read them through the lens of Cyril Birch. SIGH.

My favourite story in the collection was The Canary Murders, which is a fun murder mystery about all the knock-on effects of people dying as a result of one initial murder. Good times. My least favourite was probably The Fairy's Rescue, which I found just kind of uninteresting. Possibly I lack the cultural context to be able to emotionally invest in the story. It's definitely the story with by far the most explanatory endnotes, but endnotes can only do so much in bringing a reader along for the ride. Or possibly having my eyee glaze over for all the poetry was more detrimental for this story because it's got a higher proportion of poetry.

I do want to give special recognition to The Lady Who Was A Beggar, which contains two morality tales within it, each about a spousal rejection, and the difference in what happens to the rejecting spouse when it's the wife vs the husband is sure, uh, NOTABLE. The wife who rejects her husband dies in shame. The husband who rejects his wife (by trying to murder her!!) gets a second chance at happiness in their relationship and remarries her!
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Series consists of: Pagan's Crusade, Pagan's Exile, Pagan's Vows, Pagan's Scribe, and Babylonne aka Pagan's Daughter

This is a series of children's books about a Templar knight (Roland) and his Palestinian-born squire (Pagan) and, eventually, Pagan's scribe and Pagan's daughter. The books are written in an extremely distinctive style - it's like, the most immediate possible version of first-person, the first three books especially - and it's very effective at making things feel in the moment, but I do not actually like it. BUT I care about the characters enough that I don't care. And the period feel and the earthy historic details are wonderfully well done too. The author is apparently a medieval scholar and it shows in the best possible ways.

The degree to which Roland and Pagan care deeply about each other, and work to take care of each other, despite the two of them being very different people who often do not understand each other, is wonderful. And it's a main focus of the series, their relationship with each other.

spoilers for the fourth and fifth books )
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Back in the days after I'd started keeping a list of all the books I read each year but BEFORE I started posting reviews of them, I kept desultory personal notes (ranging from a single word to quite a few paragraphs) on some of the books. And I always vaguely forget I have, and forget where exactly to find them, and I'd like to just have them on my dw so they're FINDABLE again for me. And also some of you might find these interesting/amusing? (N.B. some of these contain what I would now classify as INCORRECT OPINIONS.)

SO HERE'S THREE YEARS' WORTH OF BOOKS IN ONE POST, OKAY GO.

expand this cut to see nested cuts listing all the books )
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I need to get on posting all my book thoughts if I’m to have all my 2016 books posted within a reasonable time frame after 2016! At any rate here’s four more books at once:

The Immortals Quartet

I do like these books a lot but not as much as some of Tamora Pierce's other works. The first two books are better than the second two, in my opinion.

cut for mild spoilers for all four books )
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This is the last book in the Brother Cadfael series! Not the last one for me to read, though. Alas. I've still not managed to get my hands on #14, The Hermit of Eyton Forest. But I've now read all but that one!

At any rate: Brother Cadfael's Penance started unfortunately really slowly and it took me forever to start feeling actually engaged. You can tell this is the case because I started reading this book on July 20, kept on attempting to plug away at it for a MONTH but never made it even as far as a quarter of the way through, and then on August 23 when I pretty much had nothing else to do but read this book I finally broke through the boring bit and all of a sudden it was AMAZING and I was delighted that I had nothing else to do but read this book and I finished it in one morning.

The problem, I think, is that the first bit of this book is too directly about Empress Maud and King Stephen, and up close and personal they're just petty and uninteresting. The interesting part about the civil war between them over the course of the series is the way that it affects the lives of ordinary people. I mostly don't actually care about them in themselves. So spending that much time at their attempted peace meeting is just a yawn, especially since it's obvious the peace talks are going to go absolutely nowhere.

But after things break up there it gets GREAT. I love Cadfael here, I love how this is the most uncertain I think we've ever seen him. spoilers! )
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This is a writing advice book. And, like, it's a perfectly fine writing advice book? Says plenty of good and right things. But on the other hand, idk, writing advice books just do not turn my crank. So it was well-written enough that I read the whole thing anyways, but I didn't feel like I actually got anything out of it.

It doesn't help that the author is clearly writing to an audience of people for whom "writing" is "writing literary fiction and/or memoirs" which is....extremely far away from the kind of writing I like to do. So as I read the book I was analyzing the advice for whether it could help me with the fic I most recently got stuck on (a caper involving Vetinari and sparkledeath, which I am 150 words into and can get no further because I don't know how to write capers) and pretty much none of it was helpful. It was all about, like, drawing on your childhood and writing emotionally true things about people being people, and about writing as a career goal. Which is all very well, but does not help with writing comedy fanfic about a fictional representation of death and his sparkly cheekbones.
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Recommended to me quite some time ago by china_shop, as being her favourite Crusie. And it is extremely charming! I like Lucy a great deal, and love her relationship with her sister. And the buddy cop stuff that china_shop talked about is indeed great, and I definitely see what she meant in comparing Zack with Ray Kowalski. And I like the Lucy/Zack relationship too, though it moves a little fast for me and also I can't help thinking that beginning a relationship in the circumstances is inappropriate and a bad idea.

But in general the book is a fun read!

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