Conrad's Fate, by Diana Wynne Jones
May. 22nd, 2020 11:59 amHere's the thing. I was introduced to the Chrestomanci books when I was a kid, and I adored them and reread them a lot. But this entry into the series was published years later, when enough nostalgia factor had set in that Conrad's Fate felt to me like an odd interloper into a world I loved, rather than being a fitting sequel.
It's a perfectly good book! But it feels like fanfiction in my head rather than the real thing. Like, relatively good fanfic? But the author is too interested in her OCs and there's not enough focus on the canon characters. :P
I mean, I know that's how these books work, every book in the Chrestomanci series focuses on a new main character, a new set of people, a new storyline. Christopher-as-Chrestomanci might be the running through-line but he's only the main character in one book, so he and the people he's close to just sort of weave in and out of other people's lives in the other books. And that's fine and good! And the bits of teenage Christopher and Millie one sees in this book are perfect. (I love how willing DWJ is to be like "here are all the reasons Christopher is kind of terrible despite being very likeable" because YEAH. I love him dearly but he has. Flaws.) But I still can't help feeling like this particular book isn't canon, because I didn't grow up with it in the same way. (The Pinhoe Egg isn't either, to me.)
Anyway this is definitely a me problem not a problem with the book. Sorry, Conrad, I just can't muster up the strength of feeling to care about you!
It's a perfectly good book! But it feels like fanfiction in my head rather than the real thing. Like, relatively good fanfic? But the author is too interested in her OCs and there's not enough focus on the canon characters. :P
I mean, I know that's how these books work, every book in the Chrestomanci series focuses on a new main character, a new set of people, a new storyline. Christopher-as-Chrestomanci might be the running through-line but he's only the main character in one book, so he and the people he's close to just sort of weave in and out of other people's lives in the other books. And that's fine and good! And the bits of teenage Christopher and Millie one sees in this book are perfect. (I love how willing DWJ is to be like "here are all the reasons Christopher is kind of terrible despite being very likeable" because YEAH. I love him dearly but he has. Flaws.) But I still can't help feeling like this particular book isn't canon, because I didn't grow up with it in the same way. (The Pinhoe Egg isn't either, to me.)
Anyway this is definitely a me problem not a problem with the book. Sorry, Conrad, I just can't muster up the strength of feeling to care about you!