sophia_sol | Entries tagged with pub date: 2022

An f/f fantasy romance graphic novel, with lovely art in limited palettes. I found it difficult to follow in places, especially in the parts where it's light on words and dialogue. Its ending is also pretty didactic; it's definitely something along the lines of a parable, with an intended meaning to take from it. But there were parts that were definitely touching and powerful nonetheless. I think for people who have stronger abilities than me at reading visuals, this could be a worthwhile read.

I thought I had taken more detailed notes on these books to be able to write up a proper book review! These are three volumes in an ongoing manga series which I think is based on a webnovel? but I might be wrong about that. Many things are confusing to me.

Anyway! I saw this recced as a fun transmigration story that had similar vibes to moshang from svsss, and I was like, sold.

The premise:

Our main character, Kondou, gets accidentally sucked from our world into another realm along with a teen girl who is the special chosen one with amazing powers who's the only one who can save the world. Kondou, who isn't supposed to be there, is meanwhile like: "Welp. Better find some way to keep myself busy if I'm here." And volunteers to join the palace accountancy department.

The love interest, Aresh, is a handsome but taciturn captain who takes it on himself to save Kondou from his own self-destructive tendencies.

The first volume felt to me like it was mostly set-up, and it had promise but I didn't really feel like I had a good handle on the characters or their relationships.

The second volume started getting into the good stuff! However this is where my notes oh so helpfully stop, and I read the these multiple months ago so I remember approximately nothing of substance, lol. The relationship vibes are cute, I enjoy that Kondou and the chosen one do still feel a sort of friendship connection with each other since they transmigrated together even though they're very different and end up in very different spheres in this world, iirc the plot/worldbuilding development started to go somewhere in book 3, etc.

I like it and I'll be interested to keep reading! assuming I remember to keep on top of it as it comes out, lol. Which like. it's me. no guarantees.

Over on mastodon I'm participating in a group readalong of TGCF, one chapter per week, and a few weeks ago we finished the first volume of the official translation so I might as well crosspost all my thoughts over to here as like, my book review? Yeah okay here we go! Putting it all below a cut to save your reading page

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This is a murder mystery novel set in space in the future, but among other things the sheer quantity of classic cocktails all the characters drink made me wonder what was going on with its vibes, and the answer appears to be that the book is based on a 1960's movie. Which explains a lot, tbh.

It felt to me like it was trying to have 1960's mystery vibes while also updating its general social consciousness, but for me personally, the way this particular book did the mashup did not work. It gave me the feeling that it simultaneously wanted to be like, "I understand about prejudice and oppression and intersectionality!" and also "this is an unexamined power fantasy about being rich!" and the two did not mesh nicely with each other.

also..... the heroine is a tech billionaire named Tesla travelling to Mars. I couldn't help being reminded of a certain other billionaire in the news a lot these days.

Anyway, I didn't feel the worldbuilding was strong, and I didn't particularly like or care about any of the characters, and I wasn't intrigued by the murder mystery, so all together there wasn't a lot for me in this book.

Some readers may appreciate though that the main character is someone who lives with disabling chronic pain and PTSD, which are regularly kept at the forefront of her experience of life. However, she also has a service dog for her PTSD and the sheer quantity of time she spent releasing the dog to say hi to other people and get petted.... I think the dog spent more of the book off-duty than on. Not at all, from my understanding, the usual priorities of people with service dogs.

Overall, I expected better from this author given the other things I've read from her, and I'm not sure what happened here. Hopefully this is just an off book and not the beginning of a trend for her!

First thing I've read for my Hugos homework! yes I feel like I'm behind already. I only have 2 months left!! Anyway this is the sort of book I wouldn't have chosen to read without external reason, and no it still isn't my thing but it's a really excellent version of that thing.

It's a modern YA urban fantasy written in first-person present-tense about a special girl with special secret magical powers experiencing a love triangle and trying to save the world. Which is great if that's your jam, we all have our well-used premises we like to read and this just doesn't happen to be mine! But it does some good stuff with it that makes me admire it at least, and definitely want to rec it to people for whom this type of book IS their jam.

I appreciate that it's drawing on Arthurian legend while also being anti-monarchy, for one thing. And has a black girl in the Arthur role!

Also it's about a girl having a complicated experience of her connection with her history and her family's traditions - there's both good and bad in such things, and the book is firmly on the side of having a choice about what to value in it.

I also appreciate that it's a book that understands that it's not actually GOOD to make teens be the only people who are able to access the secret special magic powers and in fact it's probably because there are adults who want to be able to manipulate them. Secret orders are a problem actually!

There's lots of good themes overall in fact.

And it seems promising about how it's going to handle the love triangle - a polyamorous answer does not seem out of the question, which is fun.

However it is the second book in a series and it ends on a cliffhanger so there's that.

I would call it a 4 or even 5 star book for people who enjoy the modern YA genre. I'm almost certainly going to rank it either first or second on my Hugo voting form in the YA category, because I do think it deserves recognition! But I'm tagging it 3 stars because that's the degree to which I personally enjoyed it.

A timey wimey book about spaceships! Aww yeah. Thank you

skygiants for reviewing it last year, so that I heard about it!

In this book: a bunch of people get stuck all together on one spaceship in a rift in space separated from the two time periods the people are from. Each has different histories, perspectives, motivations, and goals. Most of them don't like or trust each other or even want to work together, multiple of them have fraught histories with each other, and I was rooting for ALL of them.

One group of people is the ragtag crew of 5 aboard a ramshackle smuggling ship called the Jonah from the middle of a massive war between humans and an alien species. Of those five, three are the actual crew, one is a paying passenger trying to escape authorities, and one tried to hijack the ship.

The other group of people are paid employees on a major corporate-owned research vessel from a time 150 years into the future, the war a distant memory except for the legends of the Fortunate Five, the crew of a small spaceship called the Jonah who singlehandedly brought about peace and ended the war. But the people in this Jonah that the corporate vessel found with them in the rift don't match what they know about the Fortunate Five.

What's going on with the rift? Who are the crew of the Jonah? Is there any way for them all to make it back to their own times safely? Will this whole encounter change history and result in humans losing the war after all?

All of this was extremely fun, and I loved all the different characters, and seeing their backstories as they got slowly doled out to the reader over the course of the book. And the ending was so satisfying, and I definitely got emotional.

And I particularly enjoyed that one of the most important relationships the book is investigating is the complicated friendship between two men. Yes! Friendship IS so important! And learning how to be a better friend!!

I did have a couple complaints though, which I'll put behind a spoiler cut.

Click here for spoilers

Ok first of all, multiple quotes on the back of the book refer to it as a "mystery" and it just doesn't seem that mysterious to me? But the book did seem like it was set up to be mysterious!

See, it felt obvious to me from the very beginning that what was happening wasn't all of them changing history, it was them making history happen exactly as it had happened the first time. But no, almost the entire time, everyone's like "all these things that are so different from how we always understood the Jonah's history, how concerning, really hoping we aren't breaking history as we know it!!"

I just wish that SOMEBODY had brought up the possibility of this being how history actually had happened, even just to be immediately shut down as ridiculous. But no, it isn't even raised as a thinkable interpretation until very nearly the end, in a way that makes it feel to me like the reader isn't supposed to be thinking of it as a possibility either. So then instead of feeling like I was in on a secret with the narrative, I felt like I was being condescended to by the narrative, almost.

Second....I spent an enormous portion of the book genuinely wondering if this was going to turn out to be the kind of sff book where Everyone Is Het. One character being queer is made clear in the back half of the book, thank goodness, but honestly the vibe throughout continued to be pretty het-flavoured in terms of the narrative focus tbh. Which like, sure whatever fine, but I do like a little more exuberantly expansive queerness in my specfic these days.

Also the backstory for one of the main male characters involves a fridged female love interest. His backstory would still have been personally tragic for him if she'd stayed alive and simply left him for good! The fridging felt unnecessary, and tbh felt honestly to me like it lessened the, like, personal responsibility sense of having lost her because of his bad decisions.

Three characters actually had a Dead Important Person in their backstory. Dafnë the fridged love interest, a dead brother, and a dead female student. So at least not all of them are female; that's something. But still! It kinda bugged me.

Third, Shaan felt to me like she came across as way too young for the age that she had to be in the story. She's someone who went through some intensive schooling, became a teacher, taught a number of students, had her Traumatic Loss experience, and is 6 years out now from that experience. Like she must be 30 at least, I would think! But I spent most of the book convinced she was much younger than any of the other characters, until enough of her backstory was revealed that I realized what her age must be. It just felt jarring to me. And maybe that's just about the way she personally responded to her trauma, but that's not really how it came across to me in the writing. Unless I missed something here, maybe?

Finally, of the Fortunate Five, I felt like we spent almost no time really with either Jaxong or Kva-Sova, and I thought they were both super interesting and wanted to know more! Tell me more about illegal peace activists! Tell me more about smart science women! Tell me more about the fashion for body mods!

Anyway, despite the complaints, I did still thoroughly enjoy the book for what it was doing, and I'm glad I read it. I am always here for explorations of what history means via the trope of time travel, especially when it's about history that isn't actually real life earth history!

It's a graphic novel memoir of growing up trans, and like, eh, it's perfectly fine, competently done, no complaints about it, but it just....idk, didn't have enough there to really engage me deeply? I guess it's more for an audience of either nervous baby trans people or of cis people Trying To Understand. Which is fine and good! But I'm not either of those things.

This is the first ever magical girl story that I've read, as far as I can remember! though of course I've heard a lot about the genre.

In this comic, Max is a trans teen boy who comes from a long tradition of magical girls on his mother's side of the family. His mom is delighted to see the powers of the goddess Aurora being awakened in the next generation; meanwhile Max is horrified by the frilly dress and the expectation of ladylike grace.

But he can't ignore his magical powers because there's a threat he has to face! With the power of friendship, and of learning to stand up for who he is, Max is able to become the MAGICAL BOY!

It's a charming and delightful story and I enjoyed all the characters. The art is great at communicating feeling and motion, and at keeping all the characters distinct, though sometimes the speech bubbles were arranged in ways where I found it difficult to navigate what order to read them.

It is unfortunately not a story that's complete in one volume, but I had fun reading it, and maybe at some point my library will get the next volume and I'll stumble across it, the way I did this one!

Another of Ursula Vernon's fairy tale books under the pen name T Kingfisher, though this one is not inspired by a specific fairy tale, and is more a novel told in a fairy-tale-ish mode.

And it's very good at being a dark fairy tale, with the sense of the power of magic underlying everything, and the deadly sort of fairness/unfairness of the world. I loved it.

Vernon's prototypical protagonist type is a person who meets a horrible situation and responds with: "well, there's a thing that needs doing and I don't want to do it, but nobody else is going to, so I guess I'm going to figure it out." And this protagonist type is extremely soothing to me. I will read these characters of Vernon's endlessly.

I will say that I don't think that the merging of the two timelines of the story is done as smoothly as I'd like. The book opens in medias res in a dramatic episode, and then we go back in time to where the story starts, jumping back and forth between the two timelines until the backstory catches up with where the story began. The jumping back and forth part worked fine, and the linear narrative afterward worked fine, but the joining between the two was honestly pretty confusingly handled to me and I had to work at it to follow what had just happened with the timeline!

But that is absolutely my only complaint about the book and everything else is just SO great. It's the story of a princess named Marra who's pleased to be relegated to live in a nunnery because she's just not good at the whole politics thing and finds fibre arts much more interesting, but when the knowledge of something truly horrible occurring is thrust upon her, she goes on a quest to get the thing dealt with. On the way she collects various allies and travelling partners, every single one of whom I adore as well.

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Awww, a perfectly lovely retelling of Gawain and the Green Knight set in WWII, that does all the things one wants in such a retelling. A beautiful little gem of a novella. Gawain is lovely and charming, the Bertilaks compelling, the secondary characters richly drawn as well, and the story is fully present in its setting. I loved it!

This is a fascinating novel about first contact with aliens in the relatively near future, that's doing great things around ideas of what we owe to the Earth in terms of mitigating the environmental harm we've caused through climate change and other destructive actions. Not everything about the book worked for me, but I think it is still overall very worth reading.

The basic set-up: in the near-ish future, much of the earth is now organized not around countries and nationalism, but around "dandelion networks" where you belong to the network of whatever river you live in the drainage basin for. Within that network everyone has a voice – all humans, but also their communication technology is set up to provide voices for the natural environment as well, so that any decisions properly take into account the needs of the ecosystems around them. The dandelion networks are closely entwined with their local environment and feel a great deal of pride for the way they're managing to turn things around and make human life on earth sustainable long-term. However, not everyone is part of a dandelion network; there's still some nation-states hanging on to existence, though with much less control, and also corporations have been stripped of their power but are not gone and have become basically their own little nation-states as well.

In this context, an alien ship arrives, landing in the Chesapeake network, who want to save all humans from what they see as an urgently dying planet! Who gets to decide who is communicating with the aliens on behalf of all humans? What will the various groups do to make sure their voice is heard? What values should direct everyone's actions in this fraught first contact? Judy, our viewpoint character, happens to be first on the scene when the aliens land, and ends up being the main liaison from the dandelion networks to the aliens as a result, but Judy and her priorities don't get to stand alone for long.

I love this set-up, and I love the themes the book is exploring. All the nature imagery, and the conscious hard work going into keeping the earth thriving as much as possible, and the history of activism that underlies all the dandelion networks' current work.

And the way that creating relationships is depicted as something requiring work and attention to grow them into something full of trust and understanding. Judy's relationship with her wife, Carol, is shown to be already strong and deep and loving and supportive, but Judy and Carol's relationship with their co-parents, Dinar and Athëo, is still new and fragile. But there's also the humans' relationships with their planet, and the dandelion networks' relationships with their local governments, and with the corporations, and with the aliens – and the aliens relationships within themselves as well. I love all of this! And the smaller-scale and larger-scale relationships are like, thematically resonant with each other in a very effective way.

But I think to talk about this book in further detail I'm going to need to go behind a spoiler cut!

( Read more... )

And okay yes this was a whole enormous pile of words analysing my not entirely positive feelings towards this book, but overall I think what I want to say about it is that it's interesting and thoughtful enough to be WORTH arguing with! I enjoyed thinking about it, I enjoyed spending time with these characters, there were some moments I found genuinely touching and emotional, and I argue because me and the book are both united in caring about things. So I do recommend it! And please come argue with me about this book!

I always find it so funny when the cover copy on a book tells of a very different story than the one that's actually between the covers. "Clara seizes the chance, no questions asked" hahaha no Clara asks a lot of questions!

Anyway this is a book set in 1920's Washington DC in the Black community, with a main character who can see and talk to spirits, and takes on a mission on behalf of one of them in order to free herself from an agreement. Clara pulls together a team of other people who also have magical gifts, plus her friend Zelda who's not magical but used to work in a circus and isn't about to let Clara do anything dangerous without her.

I really enjoyed the depth of the setting of this book; the author clearly did her research, and it shows in the best ways. People and places and relevant issues of the time and the specific place are all integrated into the narrative, bringing it to life. Issues of classism and colourism within the Black community is a major theme in the book, and it emphasises the importance of solidarity against the bigger problems they all face.

I also loved Zelda and the way her friendship with Clara was portrayed. This is one of the important relationships in the book and I love that! Also another important relationship is between Clara and her dead grandma. Grandma ghosts best ghosts.

The aspect of the book that worked least well for me was three other members of Clara's team. They're three men named Jesse Lee, Aristotle, and Israel. And I kept getting them confused! They each have different backstories and abilities but I didn't feel like I got enough of a sense of their different personalities to be able to hold each one firm in my head as a different person. I kept having to think hard to remember which one was Clara's love interest, which one had which ability, and so on, which was fairly disorienting.

But overall it was a solidly enjoyable and interesting book. And I really appreciated one aspect of the ending, which is:

( cut for a mild spoiler for the ending )

A novella about the Matter of Britain, featuring Percival the Grail Knight as a young woman. Griffith's prose is beautiful, and she's doing some interesting things with this interpretation, and I found the beginning of the book compelling, but ultimately....idk, I finished the book feeling oddly dissatisfied. I'm not sure what I wanted done differently, I'm not sure what wasn't working for me.

( some spoilers for the ending, as I try to talk through what didn't work for me )

Dangit I wanted to like this book!!

This is a nonfiction biography of a woman who was an amateur scientist in pretty much the end of the era when you could have a successful career publishing academic articles without formal credentials, and only the beginning of the era when women could have a successful career in academia. She was born to Swedish nobility, her first husband died in the Russian revolution, she was a nurse to the famous Dionne Quintuplets, and she spent decades living in a tiny cabin in the woods in northern ontario taking intensive observations of birds.

A fascinating woman! But obviously I read this book because BIRDS. And it does mostly focus on her life after she falls headfirst into what became her true life's work of studying and understanding birds. I loved reading about her passion, her efforts, her extensive correspondence with bird experts across north america, her growing and deep familiarity with all the birds of her area, her dedication to keeping careful records of everything she saw and heard. Some of the things she studied continue to be relevant to ornithologists today!

But one through-line in the book was Louise's knowledge of the declining numbers of songbirds over the years, even from the very earliest days of her birding efforts in the 1930's. She knew, too, that the declining numbers were due to human activity, and she mourned their loss. Near the end of the book, the reader is provided with some numbers of just how great the decline in songbirds has been from when Louise began her records to now in the 2020's and it is honestly heartbreaking. Even just within Louise's life, she talks about the obvious and stark change in the experience of the morning bird chorus. It brings me near tears to think of how things used to be! Between habitat loss in both breeding grounds and wintering grounds, the effects of herbicides and insecticides, disappearing food due to the collapsing insect population, and more, songbird presence is a shadow of what it once was.

The other important thing I learned from the book is that the things I want to know about birds ARE out there, I just need to acquire bird books that are focused on specific species or specific families, instead of field guides, if I want to know everything about a bird's life and behaviour. NOTED. My bird library WILL be growing.

Sequel to last year's A Marvellous Light, a book I enjoyed but felt rather like it wasn't focusing on the story I wanted it to focus on. This one.... unfortunately continues the trend, though in a slightly different way.

Maud and Violet are two young women on a trans-atlantic ship voyage, who get caught up in a mystery surrounding a murder and a missing magical object. Together, they work to solve the mystery, accomplish their various goals, and navigate their growing relationship with each other.

There are many things to like about this, and honestly it is executed very well. There's good stuff between Maud and Violet, and the amount of trust and vulnerability they're a) interested in sharing with each other or b) capable of; and there's a fun cast of secondary characters in the restricted environment of a ship at sea. Some of the food descriptions really stuck with me, and I don't usually notice food in books! And we get to find out more about the Forsythia Club, the group of old lady magicians who had fascinated me so much in the last book.

But the story being told here is really a lot more hijinks-heavy a story than I usually prefer, featuring two main characters who are both hijinks-generators in their own ways, so I just wasn't really into the vibe for the first, like.... at least half the book.

And then I was teased with an AMAZING idea that then didn't go anywhere near what I was hoping and expecting for such an idea!

( cut for spoilers )

At any rate, highly recommended for anyone more into hijinks than me. I really did like the characters and their relationship!

And the next book is going to feature my favourite secondary character from this book, apparently: Ross, the class-conscious pornography-smuggling reporter. I'll be interested to see where that goes! And I hope there'll be more of Mrs Vaughn in the next book.

A graphic novel telling a story in a series of character vignettes about the points of tension and points of connection in a small Mennonite community in southern Manitoba.

It's....hmm. It does a great job of giving an accurate and nuanced portrayal of the current state of the Mennonite community and the conversations of the current time in Canada (including: relationships with indigenous people and the history of residential schools; queer people's degree of welcome in churches; relationships with war and the military; dynamics between modern megachurches and more traditional churches; voluntourism; and more). I 100% believed in the realness of every single character in this book. And it left me unsettled at the end, but in a good way? idk the whole thing is somehow both melancholy and hopeful.

I do wish though that the book was saying something more though than just holding up a mirror to go "this is who we are." I mean there's value in that! But it wasn't quite enough for me. But maybe that's just, like, where we're at with fiction that actually explores Mennonite identity: there's so little Mennonite fiction out there that we can't get beyond just going for representation through depiction.

I also struggled in places to follow the story — although the art is great, it is not quite distinctive enough in how it depicts all the many different characters, and I had a huge amount of trouble following who was who as they interwove throughout each other's stories. And checking the character cheat sheet at the front didn't always help as much as I wanted it to.

I did love that the book is clearly by someone who at the very least knows birders, and might be a bird enjoyer himself. (but it doesn't go overboard on the bird content, just makes choices of what birds to include that aren't birds the average non-birder would have thought much about!)

Overall.... I'm glad I read it. I'm curious how it would read to someone who isn't intimately familiar with the things it's depicting, though!

I've been holding on to this review since last November since it's for a book published by a HarperCollins imprint, but the HarperCollins Union finally has a contract with their employer (yay!!!!! go union go!) and has said to feel free to post reviews again! So here we go.

Moira's Pen is a book of short stories (and poetry, and anecdotes, and descriptions of relevant archeological objects) from the Queen's Thief universe. And ehhh, it's fine? But at the end of the main series, my increased understanding of the actual themes and priorities the overarching series narrative was engaging with meant I have lost much of my enamourment with it, and the stories and content in Moira's Pen are mostly pretty slight and meant to just be fun little additions to the novels. I did enjoy the new Immakuk and Ennikar content!

A children's graphic novel, an Anishinaabe retelling of the story of Alice in Wonderland featuring a nonbinary kid as the Alice character. It's fine, but the story is too disconnected and random to develop much interest for me - though that might just be that I have no particular attachment to or familiarity with Alice in Wonderland, which I gather is also pretty disconnected and random. But the art is nice, and it's never bad to have more Indigenous and queer representation for kids, in stories they recognize!

It occurs to me, a couple days after I finished reading Sam Starbuck's fourth romance novel, that even though I read these novels on AO3, they should still count as books I read! He's publishing them all and everything!

So I have retroactively added three books to my count for last year (Fete for a King, Infinite Jes, and The Lady and the Tiger) and now I guess I'm writing a review for all four at once.

I've been following Starbuck's fanfic for years, under the name

copperbadge, but last year he started on an original series of linked romance novels set in a tiny fictional European country, along the traditional Ruritanian lines, and I was like, sure, why not. The books feature plenty of queer characters (and only one of the four is about an m/f couple), a country where kingship is an elected position, and lots of feel-good content. Also two of the four have neurodivergent protagonists.

Of the four books, I liked Fete for a King (about a young king and a loud American chef) and The Twelve Points of Caleb Canto (about two Eurovision contestants) the best; the two middle ones (king emeritus and podcaster; two nobles doing politics) didn't land as well for me for a variety of reasons.

Overall the writing style in this series trends strongly in the direction of quippy dialogue for everyone, resulting in me feeling that there's very little sense of there being individual voices for the various characters. I also find constant quips to get kind of exhausting to read after a while, personally.

I also don't love that the focus is on a royal family. Yes, this is not a hereditary monarchy, and yes, the family is very open and welcoming to providing support to whoever appears in their ambit, but....idk. I think this may be one of those things where shining a light on the fact that the book knows hereditary country-leadership is bad means that I'm just more primed to notice ways in which the solution to the problem is imperfect.

The books are very readable, good-hearted, fun, and happy-ending-guaranteed. But I'm not sure I'm going to keep reading them.

Look, there's another queer Great Gatsby novel, obviously I had to give it a try! This one's premise is: what if Nick and Gatsby were trans men and also explicitly textually into each other, plus Nick and Daisy are Latinx. And like, yeah, sure, I'm in!

Unfortunately, though I think the book is successful at what it's doing, it turned out to not work for me personally on several different levels. It's a good, readable, thoughtful, queer book with coherent themes and sympathetic yet imperfect characters doing their best, which should be my jam. And just about every criticism I'm able to come up with, there are reasonable reasons the choices were made, and I can understand and sometimes even appreciate those choices! And yet as a whole I was left dissatisfied.

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So like. As I said. My issues with this book are me problems, and I can imagine a different reader experiencing this as a five-star book, where for me it's solidly 3 stars and not a bit more.

So I'm nil out of 2 so far on queer Gatsby retellings that work for me. But if/when I hear about another one, though, I will return, ever-hopeful that maybe the next one will be the one that works for me!