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Omg this is so funny it's like an Andy Weir novel except the Exciting Cutting-Edge Science Things it's about are....electricity, the mysteries of ocean life, and the classification of species. Because those were new and exciting at the time Verne was writing! I get easily bored with the kinds of modern scifi novels that have merely a vague trapping of plot and character from which to hang lengthy scientific exposition, but when it's from over 150 years ago, the vibes are entirely changed, and I am here for it, lol. I mean, it's still boring and I still skimmed over a not-insignificant amount of the lists of sea creatures and their classification, but I am charmed by it instead of irritated by it?

Anyway, 20,000 Leagues Under the Sea is from the perspective of a gentleman scientist who is on a mission to help kill an enormous and destructive sea monster, but that monster turns out to instead be a technologically advanced submarine, and the pov character, along with his trusty servant Conseil, and also the harpooner Ned Land who struck the submarine, are captured by the captain of the submarine and are told they will never be allowed to leave again, so that the secrets of captain and ship will not be revealed.

Then the rest of the book is rapturous descriptions of scientific marvels as they travel around the world -- the 20,000 leagues of the title is the distance they travel around the globe, for the record, not the depth beneath the ocean they reach, which was a surprise to me as that's not how I'd interpreted the title.

Throughout, there are hints given of Captain Nemo's tragic past that has led him to reject the world of land-dwellers entirely and desire some sort of unspecified revenge for the unspecified tragedies of his past. But it's a noble revenge and a noble rejection by a thoroughly admirable scientific man, of course.

There are many very funny elements to the book that are definitely not intended as funny, mostly due to incongruity which my modern perspective discerns. Like the way the book is simultaneously like, "oh no it's bad to hunt the black whales, the cruel whale industry is soon going to wipe them out, what a tragedy; BUT those mean nasty sperm whales deserve to die in a complete massacre." Or some of the particularly outlandish scientific errors that the author didn't know enough to avoid. (The bends? What are the bends? We don't know her.) Or the way it sometimes feels the need to make it clear how COOL and VALUABLE an experience is by talking about how much money something they see would be worth if it was sold, despite the otherwise prevalent viewpoint that the important thing is the scientific knowledge gained. The narrative just can't help itself about making it clear that it's also CAPITALISTICALLY worthwhile to engage in scientific discovery.

Be ready for some racism if you read this book; it's about educated white Victorian-era men being world travellers so of course there are "savages" encountered at one point and other stuff like that. Unfortunate, since this is ostensibly a book about people who have entirely cut themselves off from the world of the people on land, and it STILL managed to insert this stuff.

It's also subtly classist in a way where it's not even aware enough to notice that it has any opinions about class, but just these little hints Ned Land and Conseil are not the pov character's peers and thus not really company the way Captain Nemo can be. And Ned Land and Conseil are both just entirely composed of a one-note stereotype each, with no dimension. I mean, don't get me wrong, I enjoyed both of them! But the treatment of their characters as compared to Nemo is obvious. (It's also very funny that the narrative keeps on referring to Ned by the epithet "the Canadian" as if that's the most important thing about him!)

When I reached the end of the book though, I was outraged to discover that we DON'T ACTUALLY GET TO LEARN ANY OF CAPTAIN NEMO'S SECRETS. We learn that his family is all dead, and that he wanted revenge against a particular ship, but that is the extent of the information we learn. No further details about any of the rest of the context that was alluded to exist. And NOTHING about why the rest of his crew also chose to abandon the world to live in the submarine full-time, or about where the language they all speak with each other originated, or what the crew think of these additional passengers who Nemo took on board, or any other context about any of the actually interesting plot elements. No, it was far more important to dedicate page time to fish lists.

Anyway now I want fanfic because surely SOMEONE out there has taken it upon themselves to write more about the characters Verne created!

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