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Wooo it's the latest Susan Palwick! Last time I reviewed a Susan Palwick novel I accidentally talked for like 1500 words whiiiich is possibly overkill? I don't have 1500 words in me this time, in part because this one is a less ambitious novel than the last. But this one was overall more successful than Shelter, I think.

It's...a literary fiction novel, I suppose you could say. It takes place entirely in our current real world and is about the reactions of various people to a terrible personal tragedy (tw for rape and murder and suicide in the book) that occurs. Except that I genuinely like the characters, and they feel like real people, and I care about them. And yes I cried.

It's a very Susan Palwick book, being about grief and loss and hard things and about how family (by blood or by choice) is important. And all that is great!

But what's really special about it is the other part - the stuff about the Comrade Cosmos comic book series and the Comrade Cosmos fandom. A number of the main characters are into CCverse, and the novel spends a fair amount of time talking about CCverse and oh dear god I love everything about this. It reads like Palwick GENUINELY GETS IT about fandom and it makes me SO HAPPY. And the book acknowledges that slash exists without getting weird or judgy about it! (and is also one hundred percent correct about what slash fans would ship because wow yes CC/EE practically writes itself)

(Also I have to say that I dearly want there to be fanart of the Emperor of Entropy at a birthday party. Lots of it. All the fanart. Also all the other CCverse fanworks.) (HELL YEAH I am requesting CCverse for yuletide this year!) (yes I already checked tumblr and AO3 and there's absolutely nothing about Comrade Cosmos and I am sad)

But the way that a fandom is a) fun for the people involved and b) also can be helpful and meaningful to people going through hard times is just... yeah.

And I love CCverse and its fandom as described in the book. I got genuinely squeeful reading each section about CCverse. And I love that the CCverse canon is explicitly imperfect - so Palwick didn't intend CCverse to be a shining paragon of a canon that does everything right. Which makes me feel better about things like the way that CC's backstory involves a fridged woman whose continued disabled existence is only to cause CC angst instead of her getting to be a person in her own right. And the only major female characters are the love interest(s) and the fridged/tragically-disabled family member. It's like...yeah. That's too often what comic books DO, unfortunately. CCverse is interesting and groundbreaking in other ways, but it also retreads some very familiar ground.

At any rate, I don't have any grand sweeping statements to end my thoughts with. But I really liked this book and I'm glad I read it. AWW YEAH SUSAN PALWICK.
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
Susan Palwick is an author who has loomed large in my thoughts for years, ever since my local library got a copy of her second book, The Necessary Beggar, when it came out seven years ago. Intrigued by the title, I checked it out, and promptly read the whole thing in one sitting. I spent probably the entire second half of the book in tears, large parts of it in uncontrollable sobs, but the ending was a thing of incandescence, making all of that sobbing worth it. The book was intensely, amazingly powerful, and it spoke to me to a degree that few books do.

I've always been kind of afraid to reread The Necessary Beggar since then, afraid that it isn't as amazing as I remember it, that it will be disappointing, and I will no longer be able to hold onto the intensity of that first reading. So my memories of what the book is even about are kind of shaky; all I remember is how I felt.

But that book means that I've always kept an eye out for Susan Palwick. She's not a particularly prolific author, with three novels and one short story collection in the twenty years she's been published. Her short story collection is pretty mindblowing, as I recall, though it's been years since I've read it, and that one I DO want to reread. Her first book is nongenre and I only just recently found out it exists; I want to read it.

Shelter is the most recent of her books, though it's already a number of years old, and I'm not sure why it took me this long to read it. Maybe I was afraid that it too wouldn't live up to The Necessary Beggar.

And, well, it's not fair to compare ANY book to the shaky shades of remembrance of a book from a girl who was in the full throes of teenage emotionality at the time of reading. When I read The Necessary Beggar I was not as critical a reader as I am today; back then I either LOVED a book or I didn't, and there was little middle ground, and I did not yet know how to acknowledge that something I love has flaws without those flaws requiring me to lessen my love. So the version of The Necessary Beggar that lives in my head is a perfect book, and thus incomparable.

Shelter is a flawed book, but that doesn't mean it isn't powerful and amazing. And it's flawed, in part, because it is so very ambitious, and though it fails in places it's still very worth reading.

It feels very unfair of me, then, to realize that most of what I want to talk about IS its flaws.

Cut for spoilers. )

OKAY IS THAT ENOUGH WORDS ABOUT SUSAN PALWICK YET?

(IF NOT I COULD PROBABLY FIND MORE)

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