sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
I read this short story collection for the promise of a story about the Thousand and One Nights with time travel, despite having decided after reading Chiang's other collection that his writing is not for me.

And...his writing continues to not be for me. The vast majority of the stories in this collection, like his other collection, are explorations of thought experiments housed in a light narrative frame--and in one case he doesn't even bother with a narrative frame at all. Also the story I was lured in by isn't actually about the Thousand and One Nights or any of the stories in it, it's just vaguely inspired by the structure and setting!! And I didn't find it emotionally satisfying either! Sigh.

I don't know what else I expected though. Chiang is the kind of writer he is, and I am the kind of reader I am, and the two just don't get along. That's how it goes sometimes. I'm going stop trying with Chiang going forward, and leave him to be enjoyed by readers better suited to what he has to offer.
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
A collection of short stories by a renowned sff author. I've read a few Chiang stories before, but this was my first time reading a bunch of his work at once and my overwhelming impression is that he's very good at writing a very specific type of story and that type of story is mostly not my thing.

Chiang's stories are all "here is an idea, let's see all the ways we can use a narrative to explore the full implications of the idea," and characters are used solely as props for the narrative explorations rather than as full people worth being interested in. And I must say he's really good at coming up with interesting implications for his ideas and conveying them in a narrative!

But the thing about writing this sort of story is that it turns out that if I don't particularly care about the idea then I don't particularly care about the story, and at their worst the stories read like an essay with a thin veneer of storytelling. And even if I DO like a story I don't CARE about it, I'm just like "hmm how interesting" and then move on, because I'm not drawn in emotionally.

Occasionally Chiang does manage to integrate a character arc a little more fully into the idea he's exploring, stories where the idea and the human interest combine and affect each other. These are the strongest stories imo. "Stories of Your Life" is one of these, and it's rightly one of his better known stories - the one the film Arrival is based on, not that I've seen the movie. But I actually had a bit of a Feeling at the end of the story, and it's the only story of the bunch to manage that. It's about a linguist working to decipher the language of an alien species, and the way that her experience with the aliens affects her experience of her life, though also of course about exploring ideas around what language is and what it does.

I'd say the other strongest story in the collection is the last one, "Liking What You See: A Documentary." Although that MIGHT be just because I found it the most compelling idea to explore amongst them all It's about being able to turn off people's ability to see some humans as more beautiful than other humans, and what that would mean for a society.

Anyway. Not sure I'll bother to seek out more of Chiang's work specifically. He's very talented, for sure, but for the most part his works are aimed at a different kind of reader than me.

(Okay no I am going to probably read more of his work, apparently his book Exhalations includes a story about time travel and the Thousand and One Nights, so I need to read that story.)
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
This novella, which is about people being able to be in contact with versions of themselves from alternate universes where they make different choices or have different things happen to them, reads to me more like a thought experiment and an excuse for examining ethical questions than like a narrative. It has all these extensive sections just explaining the premise and the ramifications it would have on the world, and follows the stories of a bunch of different people to further explore what it would mean. The author has clearly thought through everything very carefully and presented his thoughts clearly, which I appreciate, but that's the majority of what the story has going for it, to me. So although it was certainly interesting, and I did get somewhat invested in a couple of the characters, overall I just didn't find it as engaging as I would like.
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
Time for the Hugo nominated novelettes! As a whole, I ended up liking the options in this category much more than what was in the short stories this year.

Here's my thoughts on each of the 6 novelettes. I'm listing them in the order for which I will vote for them, top to bottom choices.

Emergency Skin, by N.K. Jemisin

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Omphalos, by Ted Chiang

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The Archronology of Love, by Caroline M. Yoachim

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Away With the Wolves, by Sarah Gailey

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The Blur in the Corner of Your Eye, by Sarah Pinsker

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For He Can Creep, by Siobhan Carroll

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